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ABOUT LONELINESS, JEALOUSY AND LOVE - 2021

Rusų režisieriaus Dmitrijaus Gelerio filmas „Vario klano šeimininkė“ bene labiausiai tituluotas iš visų Rusijoje sukurtų pastarųjų metų filmų. Kiekviena kultūra turi savo dievus. Rusijos Uralo kalnuose tai yra Vario kalno šeimininkė. Ji yra kalnakasių globėja ir gali padovanoti neapsakomus turtus, suteikti sėkmės ir įgūdžių kasyboje. Tačiau visa tai turi savo kainą. Kiekvienas Dievas reikalauja sau aukų.

(Prizai: Rusijos nacionalinis apdovanojimas „Auksinis erelis“. Geriausias animacinis filmas 2021 m. Grand Prix. Geriausias animacinis filmas. Festivalis „LOGAS Į EUROPĄ“ Vyborgas. 2020 m. Grand Prix. „SUZDAL“ 2020 m. Grand Prix. Geriausias trumpas animacinis filmas. „BFM“ 2020 m. 2 vieta profesiniame reitinge. Festivalis „SUZDAL“ 2020 m. Išskirtinis apdovanojimas. „Animest“ Atėnai 2021 m.) .

Lenkų režisierės Izabelos Plušinskos filmas „Siuzanos portretas“ pasakoja apie vyrą, kuris bando sustabdyti meilės alkį, valgydamas be saiko. Kairė koja netikėtai virsta prarasta meiluže Suzana. Vis dėlto tai tik siurrealistinės istorijos, pagamintos iš plastilino, pradžia apie vienatvę, pavydą ir meilę. (Prizai: 59th Krakow Film Festival 2019, Poland – Golden Dragon Award, 9th Stoptrik Film Festival, Slovenia – Special Mention, 35th interfilm - International Short Film Festival Berlin, Germany – 2nd Prize in German Competition, Mumbai International Film Festival 2020, India – Silver Conch for The Best Animation Film. Rodytas Annecy, Encounters, Otavos, Kardifo, REX Švedijoje, ANIMAGE Brazilijoje, DOK Leipzig, PÖFF, Etiuda&Anima, Exground Filmfest, Animateka, Clermont-Ferrand, Briuselio, Štutgarto, Tamperės, Animix Izraelyje, Anifilm Čekijoje, Mecal Pro Barselonoje, Zagrebo,Bruklino, Wiesbdeno, Animatou, ir kituose festivaliuose. Dalyvavo daugiau nei keturiasdešimties festivalių konkursinėse programose.)

Šveicarų režisierės Aline Höchli filmas „Kodėl šliužai neturi kojų?“ pasakoja apiešliužus, kurie sunkiai seka gyvenimo tempą vabzdžių mieste. Prasidėjus finansinei krizei, darbščios bitės mato tik vieną sprendimą ... Prizai: Oberhausen, Internationale Kurzfilmtage Oberhausen, Lobende Erwähnungen (Preis der Jugendjury) 2020, Solothurn, Solothurner Filmtage, Prix du Public SSA/Suissimage - 3e Prix 2020, Warsaw, Warsaw Film Festival, Best Animated Short (Short Film Competition) 2019, Bilbao, Festival internacional de cine documental y cortometrajes de Bilbao, EITB Audience Award 2019, Leeds, Leeds International Film Festival, Audience Award 2019.

Parodytas konkursinėse programose daugiau nei trisdešimties festivalių.

Vario kalno šeimininkė / The Mistress of the Copper Mount

2019

13 min. 33 s.

Director: Dmitry Geller

Studio Shar

Russia

Russian director Dmitry Geler's film "Hostess of the Copper Clan" is probably the most titled of all the films made in Russia in recent years.

Every culture has its own gods. In the Ural Mountains of Russia, it is the hostess of Mount Copper. She is a patron of miners and can donate untold wealth, give success and skill in mining. But it all comes at a price. Every God requires sacrifices for himself.

(Prizes: Russian National Award "Golden Eagle". Best Animated Film 2021 Grand Prix. Best Animated Film. LOGO TO EUROPE Festival Vyborg. 2020 Grand Prix. SUZDAL 2020 Grand Prix. Best Short Animated BFM 2nd place in the professional ranking in 2020. SUZDAL Festival 2020 Exclusive Award (Animest Athens 2021).

Kodėl šliužai neturi kojų? / Why Slugs Have No Legs

2019

10 min. 44 s.

  • Director: Aline Höchli
  • Screenplay: Aline Höchli
  • Producer: Cinéma Copain:
  • Marcel Derek Ramsay,
  • Michèle Wannaz
  • Animation: Aline Höchli, Helen Woolston, Anaïs Voirol
  • Sound Design: Peter Bräker
  • Editor: Marcel Derek Ramsay
  • Composer: Thomas Schranz, Samuel Schranz
  • Original music: Gurpreet Kaur
  • Backgrounds&Layout: Claudia Wirth
  • Compositing: Stefan Holaus, Julia Munz, Aline Höchl
  • Producer: Cinéma Copain, Michèle Wannaz

Cinéma Copain

Switzerland

Slugs have a hard time keeping up with the pace of life in the city of insects. When a financial crisis hits, the industrious bees only see one solution…

Vampui / Wampui

2021

17 min. 32 s.

  • Director: Maarten Isaäk de Heer
  • Producer: Evelyn Brancard

Menetekel Film

Germany

Experimental wildlifedocumentary about the life of a huge pike in a small pond.The concept of Wampui is a merge between Slow TV, wildlifedocumentary and animation. The spoken language is fictional and the subtitles are made by a 4 year old.

Matricidas / Mattricide

2021

2 min. 45 s.

  • Director: Gemma Rigg
  • Music: Matt Loveridge
  • Producer: Gemma Rigg

UK

A humorous stop motion thriller following one woman's fight with urban fly-tipping. If Hitchcock made 'The Birds' with mattresses instead of crows, it would look something like this

Taip, bet ne taip / So but not so

2019

10 min. 24 s.

  • Director: Pedro Brito
  • Music: Carlos Ramos
  • Producer: Humberto Santana

Animanostra

Portugal

Encouraged by his father not to spend all his time indoors playing computer games, a boy sets out on the adventure of meeting his neighbors.

Baltoji gyvatė / White Snake

2020

6 min. 10 s.

  • Director: Polina Fyodorova
  • Script: Oksana Cherkasova
  • Sound: Nadezhda Shestakova
  • Design (Artist): Polina Fyodorova
  • Producer: Valentina Khizhniakova

Studio „A-film“

Russia

The plot of the film is based on the old Russian legend "The Queen of Rain". The boy learned a good lesson for his irresponsible act.

Siuzanos portretas / Portret of Suzanne

2019

15 min.

  • Director: Izabela Plucinska
  • Producer: LAS SZTUKI

LAS SZTUKI

Poland, France, Germany

In a small hotel, there is a man who tries to stop the hunger for love by eating excessively. But his longing for his love, Suzanne, will not be soothed by the plates full of meat cuts, vegetables and fruit. When the protagonist goes to the town in search for food, he accidentally hurts himself in the foot, which unexpectedly transforms into Suzanne. Since then, they are to be inseparable. Still, this is just the beginning of a surreal story about loneliness, jealousy and love. Every single detail of this grotesque plasticine adaptation of Roland Topor’s short story enchants the audience.